After 31 years of exhibiting Fine Art Photography, Robin Rice shares new discoveries. Her latest exhibition showcases work from new artists she met in the Hudson Valley and Eastern Long Island during the pandemic. Selected works including sculptures, paintings, and weavings will be on exhibit with Rice’s stable of Fine Art Photographers. She pairs the different art forms seamlessly in her collection for the Salon style experience she is well known for.

After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.”

The delicate sensuality and voyeuristic feeling in Leonardo Pucci’s work allows his photographs to act as indefinite episodes, stolen moments in the lives of individuals or couples caught unaware. But the narrative Pucci is most interested in, is the stories his photographs elicit from the piece’s observers rather than the story of his subjects themselves.

Shot mostly at dusk or at night, Pucci’s imagery creates a vague tension in his observer: “the idea that you are looking at something you shouldn’t be seeing provokes a feeling of curiosity and emotion, paired with a subtle discomfort or shame”. “However, this turmoil is temporary as the observer’s personal memories take over in the desire to have his/her own story told.

The Robin Rice Gallery is pleased to present the annual Summertime Salon, a photographic exhibition.

For many, Summertime is a fondness brought on whilst relishing in the lingering mist of the crispy ocean breeze. Each summer, Rice curates her favorite show, The Summertime Salon, and transports us to a world where we can delve into this very summer sentiment. With its smells, sounds, and architecture New York City might redefine what we know as a summer’s day, but Rice, with her intricate curation, brings our classic understanding of summer to the city.

Photographed entirely in the ethereal lakeside environs of the Adirondacks, Lynda Churilla's latest exhibition synthesizes the aesthetics of strength and softness. Central to this aesthetic theme is the portrayal of Churilla's husband and muse John, who she describes as a source of inspiration. Standing nude and silhouetted in the foreground, the powerful form of John's body is rendered stoic and subdued by multiple mist‐wreathed aquatic expanses and looming woodland scenes.