In Gordon's third exhibition, his remarkable capacity for discovery and self-described "pathological curiosity" makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius' wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition.

Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, his photographs transform ordinary structures and events into emotionally charged images of modern life. “Hollywood Freeway,” the image featured on the invitation, is a perfect example. Through Alleman’s lens, the evening rush hour becomes an abstract in motion, shimmering like jeweled brocade. Alternating between reality and fantasy, his image is rich in emotional content.